Sound design for

ESCAPE

Berlin International Sound Design Competition

2019

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A film by Limbert Fabian and Brandon Oldenburg

Escape was an amazing challenge. In a sci-fi setting, it involves robots, monsters, different locations, and a lot of movements.
It's always satisfying to give life through sound to lush, detailed animations like this one.

*A top 10 finalist at the Berlin International Sound Design Competition 2019

Sound design for

ABIOGENESIS

Berlin International Sound Design Competition

2020

A film by Richard Mans

Surrealistic films like Abiogenesis are just thrilling to work on.
It involved so many details, and for that reason, I had to come up with many different and sometimes unusual recording and sound design techniques.

*A top 10 finalist at the Berlin International Sound Design Competition 2020

Sound design and original music for

BIALYSTOK//GIVATAYIM

A film by Noa Itan

Bialystok//Givatayim was one of those projects that has a really special, personal story behind them and required research beforehand.
I find it extremely rewarding to make characters come to life through composing the music surrounding them and designing their sound.

Original music for

THE WIZARD

An animated film by Lena Fridrich

Lena Fridrich brilliantly built a whole mystic world around my original music, and I just love what she did with it.
The musical piece features mainly the guitar, an instrument with which I have a deep and emotional connection.
 

Sound design for

An animated film by

MATTIA CELLOTTO

The sound for this beautiful short animation was designed using mainly manipulated home recordings and just a touch of synthesis,
check out some of the recordings in the playlist!

Original music for

TANKS!

A sound design for a game by Uri Zelinskiy

Tanks! is an open source game, available on the Unity asset store.
Uri brilliantly created three different versions of the game, each with its own world of sounds, and asked me to compose different music for each of them. I just loved this project, among other reasons, because this is how I fell in love with the synth-wave genre, and how I discovered just how seamlessly the Country-Western acoustic guitar can blend with "cinematic-classical" music.